Shirin Neshat’s The Home of My Eyes SOLO EXHIBITION
24 Mar > 31 Aug 15
YARAT Contemporary Art Centre begins its programme with Shirin Neshat's new series The Home of My Eyes.
24 March – 31 August 2015
To mark the opening of YARAT Contemporary Art Centre in Baku on 24 March 2015, YARAT is delighted to announce the exhibition Shirin Neshat: The Home of My Eyes. This is a major new commission, produced following the artist’s time in Azerbaijan and also includes two of Neshat’s earlier works, the seminal video installations Soliloquy (1999) and Passage (2001) and is guest curated by Dina Nasser-Khadivi.
Also marking the opening is an exhibition from YARAT’s permanent collection, with work by artists from the Caucasus, Central Asia and neighbouring countries, alongside work by international artists whose work resonates with Azerbaijan. The collection itself has been accumulated over the past three years and will continue to grow, in part through special commissions for exhibitions at YARAT Contemporary Art Space curated by Suad Garayeva.
Shirin Neshat’s work has explored the complexities of cultural identity, gender and power to express a vision that embraces Persian traditions and contemporary concepts of individuality. In her recent photographic work, she has focused on the portrait as a prism to reveal the cultural dynamics and personal histories of her subjects, exploring the narratives that can be ‘read’ in an individual.
This new commission, The Home of My Eyes (2015), builds on Neshat’s growing interest in portraiture. During time spent in Azerbaijan in 2014, she photographed over fifty individuals who came from communities across the country, ranging from two to eighty years old. While taking the photographs, Neshat asked participants a series of questions regarding their cultural identity and their concept of home. The resulting responses are written in calligraphy overlaying the portraits. The assembled images make up a monumental installation which fills two entire walls of one of the eleven metre-high exhibition galleries of YARAT Contemporary Art Centre, a converted Soviet-era naval building.
As Shirin Neshat explains herself: “I consider the new series of images a portrait of a country that has for so long been a crossroads for many different ethnicities, religions, and languages. This series combines fifty-five portraits of men and women from different generations to create a tapestry of human faces which pays tribute to the rich cultural history of Azerbaijan and its diversity.”
Location: YARAT Contemporary Art Centre, Bayil District, Baku, Azerbaijan, AZ1000
Dates: 24 March – 31 August 2015
YARAT Contemporary Art Centre is the first permanent space for YARAT, a not-for-profit organisation which has commissioned over 120 projects since it was created in 2011 by Founder and Creative Director Aida Mahmudova and a group of artists. The 2,000 sq.m. centre, converted from a Soviet-era naval building, overlooks the Caspian Sea and is a dedicated hub for contemporary art and art education in the region. Education is at the heart of YARAT’s activities and a study centre, with a library and auditorium, will house YARAT’s comprehensive education programme featuring talks, screenings and workshops for diverse audiences from student artists to families.
About Shirin Neshat
Shirin Neshat, an Iranian-born artist, is widely acclaimed for her powerful video installations and photographs. Neshat’swork frequently refers to the social, cultural and religious codes of societies and the dynamics of certain oppositions, creating stark visual contrasts through motifs such as light and dark, black and white and male and female.
Neshat left Iran in 1974 to study, returning to Iran for the first time in 1990 on a formative trip, which inspired ground-breaking work. Between 1993 and 1997, she produced a series of innovative black and white photographs called Women of Allah, in which she superimposed Farsi calligraphy on the hands and faces of her subjects. She became internationally recognised in 1999 when her film Turbulent won the international prize at the Venice Biennale and, in the following year, she was the subject of a solo exhibition at the Serpentine Gallery in London. She has received a number of prizes, including the Crystal Award at the World Economic Forum, Davos 2014, the Grand Prix of the Biennale in Korea 2000, and the Silver Lion for Best Director at the Venice International Film Festival for her first feature-length film Women Without Men in 2008.
Neshat’s work has been shown worldwide in group and solo exhibitions, including the Detroit Institute of Arts, 2013; the Mori Art Museum, Tokyo, 2013; Yorkshire Sculpture Park, 2011; the Stedelijk Museum in Amsterdam, 2006; Walker Art Center in Minneapolis, 2002; National Museum of Contemporary Art in Athens, 2001; Kunsthalle Wien in Vienna, 2000; and the Whitney Museum of American Art in New York, 1998. She has participated in major biennales including Venice, Sydney, Johannesburg, Istanbul and the Whitney Biennale. She has also participated in film festivals including the Chicago International Film Festival, San Francisco International Film Festival and the Tribeca Film Festival.
Shirin Neshat lives and works in New York.
About Dina Nasser-Khadivi
Dina Nasser-Khadivi is an independent curator and consultant, specialising in contemporary art from the Middle East, Iran and selected areas of the Caucasus. Originally a nineteenth and twentieth century Orientalist art specialist at Christie’s, Dina began to work with Middle Eastern and Iranian contemporary art in 2006, developing an international platform for the artists by organising numerous awareness-raising initiatives, such as the landmark symposium An Introduction to the World of Iranian Modern and Contemporary Art held at the Guggenheim Museum in New York, the Houston Museum of Fine Arts and the Museum of Contemporary Art in Los Angeles in 2010. In 2013 she curated Love Me, Love Me Not at the 55th Venice Biennale, which represented seventeen artists from Azerbaijan, Iran, Georgia, Turkey and Russia. The exhibition went on to Baku in 2014, where it was shown at the Zaha Hadid-designed Heydar Aliyev Center.