Andrew Narin (USA) / HUMILITY / The external visible world, with the gaze of others intermixing with our inner worlds of thought and feeling, is often beyond our control. This theme is explored in the context of Baku.
Aydan Mirzayeva / THE PLACE / Images of places where people feel comfortable and can be in silence are shown in the film.
Aykhan Khalilov / MISSED CALL / This is a call for help, a call to remind. This video art speaks about the aspect of our culture that wants to grab our attention by calling us again and again. The phone call can be a chance for us to save our cultur
Aykhan Khalilov / TIED ART / It's a man tied to a chair in a white room. He can move neither arms nor legs, but he can move his finger attached to an unknown button. He doesn't know what is going to happen if he presses the button. There ar
Aysel Nagiyeva / BREW / The process of brewing the traditional Azeri headscarf kelagai is like the thread between ancient fire of Yanardag and boiling mud volacanos of Gobustan. For Azeri history this traditional way of making kelagai is as ancient a
Chinara Madjidova / SIDESTREET 7 / The place and symbol of living for ordinary people. The place where the past and the future combine.
Elvin Adigozel / THE ETERNAL CLOWN / In this video installation author tries to show the absurdity of modern media. The author appears as a clown, a scoffer in order to emphasize some unpleasant sides of media space which surrounds us.
Farkhad Hagverdi / AZADAH / Lahij is a small highland town in Azerbaijan which is difficult of access due to the rocky and steep road. Lahij is an ancient crafts center which specializes in metallic handicraft with complex ornamentation. There are al
Fatima Huseynzada / RATS / I called my project 'Rats'. It is about wall art (graffiti) and youngsters who dance in the street. Society doesn't accept these people and rejects them, chases them. With the help of my video I wanted to sho
Ilaha Khaligova / INVISIBLE / My video is about how various nations, religions and people with different ways of thinking consider 'invisible'. At the same time the video is critical; it argues how not being able to find your own way in lif
Narmin Israfilova / CREATION OF SOUND / In order to perform the popular genre of folk music called Mugham musicians use such traditional instruments as kemancha, tar, daf. The clarity and the complexity of sound heavily depends on whether the crafts
Natavan Aliyeva / BEYTLƏŞMƏ / The author managed to reconstruct the poetical gathering "Məclisi Üns", launched by Hurshidbanu Natəvan in 1872, in Shusha. This event was taking place at her palace in the XIX century. On the məclis gathe
Nazrin Musayeva / IS IT WORTH IT? / Sometimes we make someone suffer just to amuse ourselves or for a mere joke. We do it without even paying attention to this suffering.
Parvana Persiani / PLAYING WITH FIRE / Each geographical territory has its symbols. Ateshgah is one of the oldest Zoroastrian temples in Southern Caucasus, it emphasizes the importance of fire and light for people who used to live on the territories
Sabina Abbasova / FACADE MAKE-UP / Wrinkles are the embodiment of past years, of history, reflection of events. All this richness of the city is being wiped-off, masked and vulgarized right in front of our eyes. 100-120 years old houses are turning i
Tamuna Gurchiani (Georgia) / THE BEAUTY OF INDEPENDENCE / The rhythms and sounds of the city: what is the message they have for the universe? These are the things the artist wanted to study and analyze.
Ulviyya Hasanova / RECURSION / Life is a circle and the ending is at the same point on the circle as the start. An ending is a new beginning. Stories are the same. The journey is eternal. The video is about the circular nature of life explored in the
Vicente Plaza Gonzales / PARANOIA / My life is like walking through a corridor, I know the way, but I don't know where I am and where to go. Moments and silhouettes happen around me and still I am not sure what is real. Can I believe in what I s
Vusal Rahim / THE ROOM / I have chosen this topic based on my own experience. I changed nineteen apartments and studios within seven years. I observed how in a very short time I got used to a new flat or room. As water takes the shape of the glass in
Yana Malisheva / IN DEEP SNOW / The film was planned as a self-portrait, as the theme of the self. This ability to see the self objectively has been the main topic of the author's interest and research over the years. However, in the process of
Zamir Suleymanov / THE GARDEN / The video was created from other videos posted about the Karabakh war on YouTube. In the video the music relating to the word 'garden' has been used in a modified form. The video aims to unite the music and t
Zamir Suleymanov / THE MOMENT / This is one of the videos of the 'BB Dictaphone' project. The video was filmed in Nakhchivan and talks about the works of the photographer.
Zamir Suleymanov / MOUNT ARARAT / The video is about Dadash, who is a photographer and poet. Dadash comes across a picture of Mount Ararat while walking along the street ... and starts to perform his own poems.
Zamir Suleymanov / ALL THE MACHİNES CARRY OİL / This is one of the videos of the 'BB Dictaphone' project. The video portrays the motion of machines while a Nakhchivan mill is demolished in the background. *The cinematographer is Rafael Rzae
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